Saturday, April 29, 2006

everyday extravagance




Life-size empire waist dress with gathers and a full skirt...

Just around the corner in every woman's mind - is a lovely dress, a wonderful suit, or entire costume which will make an enchanting new creature of her. ~Wilhela Cushman

Work’s title: everyday extravagance
Year: 2005
Medium: wire
size : L 37’ x W 31’ x H 8.5’



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Saturday, April 22, 2006

Hello there!

Click the listings on the sidebar to see my artwork or simply click the photo badge to see a slideshow of the work! More work coming soon. I just completed two new pieces!

Friday, March 31, 2006

Speaking The Unspeakable

The Rwanda show was amazing. I did not exactly know what to expect. And yet I walked away from the evening of the opening night feeling proud to have been a part of it. I took the train down to San Francisco on Thursday. That evening my mom and I went to the opening. They placed my piece on a black wall and shined a spotlight on it. This captured it in a way that made it look sacred, especially within the context of the show. A guy by the name of Jon Wallen displayed his collection of photojournalism – all photos of women and children from Rwanda who now benefit from AIDS medication. It was nice to see images that were not like those that you see on those Save the Children ads or in National Geographic. They were not images of sad starving people, yet Rwandans living, working and embracing life. There was one photo that my mom and I lingered around. It was a photo of a group of children standing with a Razor style scooter, yet theirs was a homemade version made from carved wood. One little girl was SO sweet, her smile so contagious that my mom and I smiled in reaction to it.

There was an altar set up a part of the gallery display as well. They did not explain what the different parts symbolized yet the altar had bananas, avocados and corn placed on it. There were also candles and a big flat bowl lined in circles of vividly colored beans with an egg resting in the center. At one point a woman in a blindfold sat on a chair near the altar singing a song in a heavy Spanish accent holding the egg in her hand. That part of the evening was strange and yet it was interesting indeed.

The art reception was from 6-8 pm followed by the first set of performances of the benefit. Because we were there early in the evening, at one point my mom and I snuck into the theatre and watched the final rehearsals of the performances. I had not seen any of the performance aspects of the benefit so I was extremely nervous not knowing what to expect. I stood on the sidelines rather than taking a seat in the audience because I feared that my emotional reaction might have caused me to need to exit quickly. The spoken word portion of the event was directed by an incredible woman I met last October. Four women told the true stories of actual women who survived genocide in Rwanda, yet the way the acted it out you would have thought that they, themselves were the actual victims. My mom and I were drawn in, we both stood with frowned brows and our hands made their way to either our mouths or crossed over our chests as we braced ourselves listening to these accounts of heartbreaking cruelty. I still hear the stories in my head. I still see and hear the sorrow as one woman spoke of seeing her child killed.

A modern dance troop, the Anne Bluethenthal Dancers, danced beautifully; jumping and leaping with grace and at the same time strength. One very petite woman danced with such passion! She danced effortlessly like as if movement came as easily as breathing. It was mind-blowing. As the women danced, these two women walked through the leaping, twirling bodies singing jabs and fragments that made the music complete. All of this movement, strength and energy filled the room as the women danced in these flowing sheer costumes over leotards.

When we finally went back into the art reception the place was packed. There was a sense of excitement and expectancy in the air. Looking around the room packed with such diversity I felt like anyone could have arrived, it seemed that the possibilities of guests were endless. I saw a news anchor talking to the photographer. This newscaster was simply having a night out with some friends. I saw a professor from the California Arts and Crafts College. I ran into a few artists I’d met in passing throughout the years. Chatted with two women who talked about having traveled to South Africa. Ran into one of my sister’s high school teachers. I talked to a writer and then a woman who said she’d just gotten back from a business trip in New York. So my mom and I mingled. Just as I my mind wandered toward the thought of leaving, people began to approach me and ask about my artwork. I realized this buzz going on around my work. Here I’d started to second-guess myself last week about this piece and now the room was buzzing about it. So, needless to say, it was an amazing evening. I was proud to be associated with the program. I watched as people donated money to benefit Rwandan women with AIDS. I was glad that I did not simply receive information about the impact of AIDS, only to tuck it away and forget about the needs of others. In my small way I helped to make a difference. This thought made it all worth it for me – the many hours creating the work, the drama of getting the work there and picking it up, the glitches that stressed me out – all forgotten as I saw others come to realize the possibilities, the call to help another on a global scale.

Wednesday, March 15, 2006

hope



Here’s the wire baby I finally completed! It is 26 in. tall x 12in. wide, complete with ten fingers, ten toes and a belly button!

see more of the human form:
vulnerability
a time of reflection
newborn
melancholy
leaping man
little girl
hand
contemplation
breathe

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step into her shoes



step into her shoes
Kristine Mays, artist
Completed in 2006
Medium: wire
43 in. L x 28 in. W, head wrap – 10 in. x 10 in.

Created to celebrate women
who have survived genocide,
this sculpture’s invisible occupant
represents the many faces
of Rwandan women
living,
breathing
and surviving
in the midst of the circumstances
that bind them.

Fluid shapes, resulting in a celebration of human form is revealed as thousands of individual pieces of wire are bound together by Kristine Mays, unveiling a Rwandan woman full of strength and grace.

This piece will be a part of Speaking the Unspeakable, a traveling multi-media exhibition designed to give voice to women survivors of the rapes and massacres in Rwanda in 1994. For more about the event, see the post below...

see more wire dresses:
abundance
all that jazz
couture amore
deliciously complicated
everyday elegance
flirt
lucy ricardo
phenomenal woman
saturday night dancing
shall we dance
splendor in the grass

click here to go back to the home page.

Thursday, February 16, 2006

my upcoming show...


This is the latest artistic venture I have entered into. When I decided to be a part of it, I did not realize the event's prominence or the professionals I'd be working with. I simply wanted to do something to give back, something that could effect change on a global level. I am excited and nervous as I work on my piece for this show. Read more about it here:

Nazi Germany. Cambodia. Armenia. Kurdish Iraq. Rwanda. Bosnia Kosovo. Darfur. Modern history is rife with the horrors of genocide, which leave the survivors haunted and even silenced by the atrocities for most if not all of their lives. And yet it has been through the arts – expressive, visual, and cinematic – that the stories of resistance and renewal have found life so as to offer remembrance of the sacrifices of so many and to celebrate the power to overcome by so many more.

Speaking the Unspeakable, a traveling multi-media exhibition designed to give voice to women survivors of the rapes and massacres in Rwanda in 1994. Speaking the Unspeakable, which will be staged in the lobby and back gallery of Project Artaud Theatre, will feature photographic displays of women who survived the 1994 genocide, large text displays of their personal testimonials, sculptures commissioned for this event by prominent Bay Area artists, a 10 minute film loop of Rwandan women talking about rape and AIDS, an ambient soundscape, and staged readings of the stories of Rwandan survivors featuring local professional actors and HIV positive women from WORLD before each dance performance. Local artists participating in the exhibit include Lorriane Bonner, Patti Boss, Cari Campbell, Cindra Feuer, Susan Garcia-Lorca, Stephanie Ann Johnson, KRISTINE MAYS, Hilary Springfield, and Jon Wallen. On Saturday, March 25 at 3pm a roundtable discussion will take place with the participating artists and representatives from the organizing groups.

Speaking the Unspeakable has been created in response to rape survivors’ desire to testify about their experiences and to educate future generations about gender based violence and it links to the spread of the AIDS epidemic. Speaking the Unspeakable arose from the work of three non-governmental organizations: Women’s Equity in Access to Care and Treatment (WE-ACTx), Survivors Fund (SURF) and the Rwandan-based Association of Genocide Widows (AVEGA-Est). Bluethenthal and co-curator Anne-christine d’Adesky are working to launch this exhibit. After Project Artaud Theatre, Speaking the Unspeakable goes on tour here and abroad, keeping alive the voices and stories of women survivors while creating bonds of solidarity with organizations and audiences around the world.

WE-ACTx is an international community-based initiative that was launched by frontline AIDS physicians, activists and researchers with extensive experience in caring and advocating for HIV-positive women. WE-ACTx was founded by Anne-christine d’Adesky, who serves as co-curator of Speaking the Unspeakable. The primary goal is to increase women's and children's access to HIV testing, care, treatment, support, education and training in resource-limited settings at the grassroots level. WE-ACTx is committed to helping survivors of genocidal rape and sexual violence. WE-ACTx began working in Rwanda in early 2004 to provide HIV care to genocide rape survivors, in active partnership with the Rwandan government and five local NGO partners. The focus is on empowering HIV-positive women and girls to take charge of their lives and become leaders in the fight against AIDS.

For more than six years SURF has helped survivors of the Rwandan genocide deal with and recover from the tragedies of 1994, supporting a wide range of services for victims in Rwanda, and assisting survivors in the United Kingdom. Funded by a variety of organizations and individuals, SURF acts as a channel to distribute financial assistance to groups, individuals and charitable organizations in the day-to-day operations of bringing the people of Rwanda hope, safety, and a decent standard of living.
“As artists, we come together to create a unified, affirming cry of support with the people of Rwanda and all those who have suffered the horrors of genocide.”

WHO:
Anne Bluethenthal Dancers, WE-ACTx, SURF, and AVEGA-Est.

WHAT:
Reflections on Genocide: Launch of traveling exhibition on genocide, Speaking the Unspeakable, featuring world premiere of Anne Bluethenthal’s Unsing the Song

WHEN
Thursday, March 23 - Saturday, March 25, 8pm
Sunday, March 26, 1pm

WHERE:
Project Artaud Theatre, 450 Florida Street @ 17th Street, San Francisco

HOW MUCH:
$25 general; $20 in advance/student/senior; $10 children under 12 years

TICKETS:
ODC Theater Box Office, 3153 17th Street or 415-863-9834; ticketweb.com

WEB:
www.abdproductions.org

Monday, January 23, 2006

january 2006


My work with wire continues onward...
I am also creating more collages, dabbling in the idea of starting a greeting card line and just having fun creating...
If you are thinking about Valentine's Day gifts feel free to buy a heart. They make very sweet gifts...

Friday, December 02, 2005

upcoming show...


Holiday Art Show & Sale!

Ornaments, sculpture, jewelry and other art…
THURSDAY evening
December 8, 2005
6:30- 10 pm

Forbeadin'
1195 Church St. at 24th
San Francisco, CA 94114
415-641-1414
www.forbeadin.com

Tuesday, October 18, 2005

purses




What’s in my purse?
Candy and gum and mints galore,
makeup and perfume,
money and mirrors,
as well as many expectations,
a handful of wishes ---
along with dreams,
gum wrappers,
pocket change,
What’s in your purse?

SOLD! ---- Don't worry! There are more to come!

see more wire work:
alphabet letters
big blue purse
hearts
natural woman
mary jane taken up a notch!
ordinary woman
loose knit
shoes
more shoes
twinkle stars
wavy red purse
contemplation
9 to 5

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saturday night dancing


As I progress in my sculptures, I have experimented with capturing movement and making hard, rigid wire look soft and fluid like fabric.


SOLD! - to a chic couple in Mill Valley, CA

see more dresses:
abundance
all that jazz
couture amore
deliciously complicated
everyday elegance
flirt
lucy ricardo
phenomenal woman
shall we dance
splendor in the grass
step into her shoes

click here to go back to the home page.

Sunday, October 16, 2005

Monday, October 10, 2005

Upcoming show...

San Francisco Open Studios show

Saturday and Sunday
October 22 & 23, 2005
11 am - 6 pm

@ The Art Explosion Studios
744 Alabama Street
San Francisco, CA
( near 19th and Alabama Streets)

I will be posting more art between now and then...
Stop by my space and chat, see a variety of great artists and buy some art.
A collection starts with just one piece...